Did you know?

As I'm doing my usual Friday morning catch-up, it occurs to me that you might be interested in knowing a few things about me.  You see me posting my art work fairly regularly on Facebook and my Pepper Portraits blog, but did you know that besides being a completely committed artist, I hold two part time jobs?  Winning a few awards and getting published, does not guarantee a regular pay check.  Nope, I go months sometimes without a sale.  I'm married to a wonderful guy who pays most of the bills, but by no means makes enough money for me to do art 24-7. I have to at least cover groceries and vet bills, which with 2 older dogs and three cats, adds up, believe you me! So I continue to work as a vet assistant in a small animal veterinary practice.  I've been working with vets since 2011- started in my 40's and still doing doggy yoga as I near 60.  I feel like a thirty year old with  no time to get old! My other job is a gallery portrait artist- picture framer -Girl Friday for a lovely little gallery, in a haunted brick building, in the small river town of Milford Ohio.  There I teach portrait classes, frame picture, assist hanging shows and whatever else they might need of me.

So please don't romanticize the business of art.  It is not easy.  It does not pay well. I stick my neck out everyday in hopes it does not get chopped off:)

Pigeon Trinity #3

This is the third pigeon image for a triptych.  The question will be how to frame.  I originally planned on three small images matted together: two horizontal and one vertical- the horizontals will have the same mat opening size. The piece would be one long horizontal.  An other way to approach this would be to frame separately to be hung on the wall in a cluster.  This would enable me to crop this image differently if I choose. I realize the subject and the images are dark. And I'm not 100% sure this will work,  but I will try anyway. Once I have them matted together I will post it so you can see.

Bragging rights

I'm tipping the proverbial "hat" to myself. The past few months have been quite successful: My painting "Waiting" was selected to be in Ann Kullberg's e-book Hidden Treasures. This same painting, which earned  CPSA Signature Status for me by being my third acceptance into the CPSA International Exhibition within ten years, was also purchased at a recent art fair and was my biggest sale to date. And let's be honest,  sales make the rest possible. For those of you interested, I am in the process of having the image printed in giclee form to be sold in my shop soon.  READ ON

My painting "Who Rescued Whom" was published in Strokes of Genius 6, by Rachel R. Wolf, Northlight Books, hitting the bookstore shelves as we speak.

My painting "Departing" earned second place at the CPSA District Chapter 119 exhibition, showing now until the end of the month at The Clifton Cultural Arts Center in Clifton Oh.

That's it for now, but there is always room for more.

Graphite portraits, powerful and beautiful.

This triptych study of my daughter's cat Linus has had more Facebook shares and likes and pins than I ever imagined.  I did several cp paintings from the series of reference photos taken of Linus two from the graphite study. The graphite triptych sold to an extreme cat lover who set aside money from her limited retirement income for five months.   She was delighted to finally unwrap the framed piece after months of waiting.  As luck would have it,  I was at the gallery to witness the reveal.  It was a great moment for both of us.  Just a simple pencil drawing, but well loved.  These moments are what keep me on track. No matter the medium, if a portrait reaches into someone's heart, it is a success.

Accepted into the 22nd Annual CPSA International Exhibition in Daytona Beach Florida

This is "Waiting"  30x16", Prismacolor, Bruynzeel and Luminance pencils on rag mat board. I'm excited about this folks!  This means I become a CPSA Signature member! Rags, Ginger and Stewie are excited as well: my three beloved rescues who've managed to make it BIG.

Art Business

 The hardest thing about being a professional artist is sales. If it isn't a custom order, what sells?  Does every successful artist consider this when deciding on a subject to paint?   After spending the first few years establishing my reputation, should I stick to what works? Should I, in essence, brand myself ?  The collector needs to be comforted by a certain predictability, right?  He/she needs to "know" me a little before forking over $1000.00. But as an artist how do I continue to be stimulated?  I can't do the same thing over and over without becoming stale. How do I explore and challenge myself  if I don't step off the path?  I guess it has more to do with business plan and intent. Am I an artist who equates success with income or peer accolades or self fulfillment? The answer is a little of all three.  Of course I would love to get paid for doing something well.  Who wouldn't?  But, that is not my first goal.  Right now, I wish to create meaningful, well executed images that resonate with one or two (OK, let's be honest here, many) viewers. My style is emerging on its own and continues to evolve.  Who knows what it will look like in 10 years.  I don't feel I have time to fool around with what sells at this point in my life. There's too much to learn. I  hope that along the way, someone likes my art enough to buy it.  So much for a business plan. I really don't have one.  I just do the art, show it and enter as many competitions as I can afford. When I actually sell something it's fantastic! Go ahead, say what's on your mind."Don't quit your day job," right?